A special mini edition issued by INDEXG. Archival pigment print printed on 7.5 x 5.5 inches cotton rag paper. 30 editions, with Edition Stamp and numbered on verso.


This series of images by Ying Kit Chan explores the subject of contemporary urban landscapes. Conceived with snapshots of industrial monuments and scenes, these forms are shrouded with charcoal marks and ink washes. The images underneath explore the tensions between the energy of nature and the man-made clutter of urban environments.

The smooth surface of the work appears tranquil and aloof, presenting a sanctuary for the observers to meditate and reflect. Elements of traditional Chinese calligraphy interact with graphic motifs and mundane shapes. Flowing above the architectonic skeletons and masses of billowing clouds and smoke, these temperamental marks contemplate the growth and decay in modern life.

Ying Kit Chan is a native of Hong Kong. After graduating from the Hong Kong Baptist College (1975), he studied art in several colleges in Hong Kong and continued his study in the United States. Chan received his BFA from the University of Oklahoma (1981) and MFA from the University of Cincinnati (1983). He is currently Professor of Art and the Head of Studio Programs at the University of Louisville.

For three decades, Ying Kit Chan has been exhibiting his art work extensively in the United States, Hong Kong and Taiwan as well as in exhibitions in Australia, Ecuador, Germany, Korea, Poland, Portugal and the United Kingdom. His solo exhibitions include LEE Ka-sing Gallery in Toronto (2001 and 2007), Gallery 456 in New York (1999), Taipei Fine Arts Museum (1993) and Taiwan Museum of Art (1992). He is a recipient of awards and grants including two Kentucky Arts Council Visual Arts Fellowships (2002 and 1994), National Endowment for the Arts/Southern Arts Federation Visual Arts Fellowship (1992) and the Urban Council Fine Arts Award at the Hong Kong Contemporary Art Biennial (1977).